TWANGSVILLE REVISITED: Volume 110

01 - BLACK EYED VERMILLION - Bone To Pick
02 - DUSTY RUST - Countryside Ride
03 - FELIX THURSDAY - The Devil's Band
04 - GALLOWS BOUND - Dogs A Howlin'
05 - GRAVE ROBBERS JUKEBOX - Settle Down
06 - HARLEY BOURBON - Still I Wait
07 - JAMES HUNNICUTT - Don't Look Back
08 - JONEMERY - Good Ol' Fashioned Trouble
09 - LOREN WALKER MADSEN - Life Behind The Wheel
10 - OLD DEATH WHISPER - No Choice
11 - OWEN MAYS & THE LAST CALLS - Worried Man Blues
12 - THE PINE BOX BOYS - The Child Of Calamity
13 - SAINT CHRISTOPHER - General Delivery Blues
14 - SMOKESTACK RELICS - 61-49
15 - STONED EVERGREEN TRAVELERS - Tragic Love Song
16 - STUMP TAIL DOLLY - I've Endured
17 - TALES FROM GHOST TOWN - Fields
18 - THE WESTERN SIZZLERS - I'll Die A Happy Man If It Kills Me
19 - WHISKEY FOLK RAMBLERS - Curtains
20 - WHISKEY HOOVES - Blood

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THE DOG'S JUKEBOX: Volume 48

01 - ABLAZE - Bar Fight Blues
02 - ARCADIAN CHILD - She Flows
03 - BAD TOUCH - Take Me Away
04 - THE BIG SWAMP - Heavy Load
05 - CRANEIUM - Sweet Relief
06 - DAMN DICE - This Time
07 - DEAD REBEL SAINTS - Can't Let Go
08 - DEVIL DOG ROAD - Drinking Problem
09 - DIRTY DOGS - Blondes And Blood
10 - FOGHOUND - Keep On Shoveling
11 - GLEN MATLOCK - Wanderlust
12 - THE MULTI COLOURED SHADES - Bad Baby 69
13 - ROADKILL - Love At First Bite
14 - SAINT CHRISTOPHER - The Path We Take
15 - SAVAGE HENRYS - Generals Die In Bed
16 - THE SENTON BOMBS - Dead Revolution
17 - SOUTHEAST DESERT METAL - Road Through Hell
18 - STONED EVERGREEN TRAVELERS - The Black
19 - SWAMPMEAT FAMILY BAND - The Wire
20 - WASTELAND VALLEY - Twister

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BOX OF FROGS

01. [1984] Box Of Frogs (2011 Remaster)

Tracklist: Back Where I Started (3:57), Harder (3:41), Another Wasted Day (4:19), Love Inside You (2:49), The Edge (4:02), Two Steps Ahead (4:34), Into The Dark (4:09), Just A Boy Again (5:40), Poor Boy (4:23) Bonus Tracks: Nine Lives (4:07), X-Tracks (5:03)

Box Of Frogs was the unusual name given to the mid 80s reunion for three-fifths of the legendary 1960s blues-rockers The Yardbirds. Guitarist Chris Dreja, bassist Paul Samwell-Smith and drummer Jim McCarty originally reunited to play at the 25th anniversary of the infamous Marquee Club in June of 1983 which turned out to be a lot of fun so they decided to start writing and see what they could come up with musically. However, as vocalist Keith Relf had passed away back in 1976 and none of the famous guitarists (for those who need reminding, a trio of six string slingers, Clapton, Beck and Page, who went on to achieve a modicum of fame in their own rights!) associated with the band was part of the process the band took on a new moniker. The name came from an executive at Island Records whose favourite saying was that such-and-such a person had a face like a box of frogs. Amused by the saying the group adopted it as their own. To complete the line-up a vocalist was adopted into the ranks, namely John Fiddler, the ex-singer of Medicine Head and British Lions, who had sang a couple of numbers with the group at the Marquee anniversary concert. Initial sessions for a planned debut EP were so productive that sufficient material was accumulated for a full album. Epic Records were sufficiently impressed to hastily sign the band.

One of the factors that undoubtedly attracted Epic Records was the number of high profile guest musicians that were lending their talents to the recordings. With the Yardbirds' pedigree and Samwell-Smith's contacts as an in-demand producer, it was no problem in attracting such friends and musical luminaries as Jeff Beck, Rory Gallagher, Mark Feltham, Max Middleton and Peter-John Vitesse to contribute. The results were as good as expected with the almost autobiographical Back Where I Started providing a more modern approach on the blues rock that the Yardbirds were associated with. Feltham's authentic blues harmonica and Beck providing a restrained yet exemplary lead line set the album off to a cracking start. The song was released as the debut single and managed to crack the lower regions of the UK charts and going top 10 in the US where college radio stations practically adopted it as the theme tune for the summer of 1984. Harder continues along similar lines with ex-Mott The Hoople guitarist Ray Majors laying down a fierce lead line while Another Wasted Day has Beck back on lead contributing to a slower number featuring some excellently phrased singing from Fiddler. The relatively short Love Inside You is another great song with a strong chorus featuring some sympathetic, and uncredited, female backing vocals. Slide guitar is provided by additional Frog Dzal Martin founder member of the late 70s band No Dice and subsequent session musician. Rory Gallagher makes his first appearance on The Edge (no not a tribute to U2's guitarist!) and as with all of the songs on the album, the soloist is not allowed to dominate, just supplement the strong song writing with their individual talents. This is a testament to the production skills of Samwell-Smith and, one would presume, the high regard that the Yardbirds are held by fellow musicians.

Beck once again performs on Two Steps Ahead with a contribution that is more akin to his usual soaring and flowing lines. A rather poor percussion break midway through is the only detraction and puts a definite 80s stamp on the song but this is a minor distraction to an otherwise fine number with probably the best of the guitar contributions, particularly from Beck. A reggae rhythm is applied to Into The Dark which features two guest guitarists, Martin on lead and Gallagher on slide and a lovely electric sitar. The change in style is not that dramatic largely due to Fiddler, a strong chorus, and some understated playing by the whole ensemble. Just A Boy Again is another song that initially steps away from the blues influences having a greater slow boogie influence primarily due to the piano part played by Vetesse, although Martin does wrap things up nicely providing a neat intro to the original last number of the album, Poor Boy. An excellent closer to the album combining lyrical humour ("I'm broke I lost all my cash, I'm in deeper than the Wall Street crash, I'm sinking faster than a drowning man, Oh Shit! I gotta get my arse out of the can") and superb musicianship, the interplay between Beck and Geraint Watkins on piano is superb! With customary Esoteric thoroughness (but uncharacteristic lapse in that the song titles are printed the wrong way round on the CD artwork), this CD reissue is accompanied by the b-sides from the two singles released from the album. Nine Lives, from the Into The Dark 45 rpm is not up to the standard of the album numbers, possibly because it was the only song not written by members of the band, instead deriving from the pen of Mark Radice who has written for and played with numerous performers including Aerosmith, Dave Edmunds, Barbara Streisand, Barry Mannilow and The Muppets (!). It does sound like there is a different singer on this track but the final guitar solo is worthy and it is an overall nice addition to the set. X Tracks is really just for completeness being snippets of each of the album songs included as a taster for the LP on the Back Where I Started single.

Although I have concentrated on the guest musicians on the album, this shouldn't detract from the fine performances put in by the core Frogs. Dreja and Fiddler make significant rhythm guitar contributions, Samwell-Smith's bass playing is as fine and smooth as ever, all add various percussive elements and the synthesiser contributions from the bassist and vocalist are, thankfully, minimal and not at all characteristic of the prevailing musical atmosphere of the time. Largely overlooked since release, this album is a solid, if not earth shattering, album and one that I have frequently dug out my vinyl copy of over the years when feeling the need for something different to get lost in. Having a re-mastered and pristine digital copy is a very welcome addition to my collection. MARK HUGHES

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02. [1986] Strange Land (2011 Remaster)

Tracklist: Get It While You Can (3:53), You Mix Me Up (3:22), Average (4:20), House On Fire (4:22), Hanging From The Wreckage (3:40), Heart Full Of Soul (3:52), Asylum (4:51), Strange Land (4:52), Trouble (5:45) Bonus Track: I Keep Calling (3:08)

The second Box Of Frogs album was released two years after the strong debut album, although failure to tour, particularly in the US where the album had reached the top 50 in the album charts based on the strong performance of the Back Where I Started, had somewhat stifled the progress of the band. Although Jim McCarty (drums) and John Fiddler (vocals/rhythm guitar) were keen to hit the road, and Jeff Beck had indicated that he would have been more than happy to join them, Paul Samwell-Smith (bass) was busy as an in-demand producer and was not looking to become part of a band while Chris Dreja (rhythm guitar) had a flourishing career as a professional photographer he was reluctant to turn aside. Had the band undertaken a successful tour, the second album may have turned out a lot different to what was released as Strange Land. Although Fiddler had a hand in writing the majority of the material, he only sings on four of the tracks. Hence, additional Frogs on this album also included a host of illustrious vocalists to accompany the guest guitarists and keyboard players, many who were happy to reprise their roles on the first album. One player missing from the second album was Jeff Beck whose contributions to the debut were some of the highlights. Instead, another ex-Yardbird, Jimmy Page, was called in to play on a couple of numbers. One interesting aspect of the reissue of the two Box Of Frogs albums is the different reminiscences of McCarthy (in the first CD booklet) and Dreja (in this booklet). For instance, although both agree that it was never considered to ask Eric Clapton to play on either album, Dreja reports that Clapton never figured in any of the plans of the unit while McCarty states he was asked to play at the Marquee anniversary concert but was unable as he was on tour in the US at the time. Additionally, Dreja says that the group were already writing for an album prior to the Marquee invitation as opposed to having reunited specially for the occasion. Of course, this is all by-the-by and what matters is the music.

Unsurprisingly perhaps, the four numbers featuring Fiddler on vocals are the most familiar to the sound of the material on the debut album. You Mix Me Up has potential but is over produced with some of the female backing vocals (by Carroll Thompson and Julie Roberts) sounding as if they have been stolen from a Kid Creole & The Coconuts song. Shame as some of the elements are very good. House On Fire could easily have been included on that album with Rory Gallagher and Dzal Martin teaming up once again to provide lead guitar work and Geraint Watkins pounding out the ivories and Peter-John Vetesse adding sympathetic synth lines. Truly impressive stuff. Hanging From The Wreckage features electric sitar, again played by Gallagher, in a more prominent role on a more down beat number that is slow to get anywhere and is somewhat too rudimentary to really create much excitement. Page makes his first appearance (and only appearance on the original album) on Asylum although from the sleeve notes it appears that Dreja at least was not all that impressed: "..he came in, did a mysterious solo with lots of wah wah and then disappeared. I'm not sure what he was doing, but he returned and then did this imaginative guitar part and left us to piece it together. That was, erm, interesting." It has to be said that it is not Page's finest hour, nor the Frogs best song, taking on more of the eighties style of music and leaving the blues rock way behind them. It does feel as if it has been pieced together in the control room rather than come together as a complete song. Page's other performance, on the b-side I Keep Calling, also features Fiddler on vocals and is much more superior to Asylum in both writing and performing that it is a wonder that it was left off the album. More succinct, more structured, better all round. Perhaps the idea was to have an exclusive track featuring Page to help sales of the Average single, although if that was the case it would have been better, in my opinion, to have Asylum as the b-side! Besides, the single, more of which later, was hardly likely to have attracted the attention of the mainstream Led Zep fan. Final track featuring the vocals of Fiddler is the last track on the original album, Trouble with a new Frog guitarist, Steve Hackett, laying down the lead. Again the eighties style of music seems to pervade through this track with a very basic drum pattern, and all sorts of superfluous synth noises added by Vetesse and David Clayton. Hackett does a fine job though and despite its flaws is an interesting enough song.

The remaining tracks feature a guest vocalist. The inimitable Roger Chapman contributes two characteristic performances, the first of which is the somewhat pointless re-working of Heart Full Of Soul. Although the sleeve notes state that the group wanted to take a radically different approach to the classic Yardbirds number it is not too far removed from the original (or perhaps it is more accurate to state that it bears quite a lot of similarity to the version released by Ghost Dance a couple of years earlier). Gallagher is the featured guitarist and he does a fine job, even adding in more electric sitar to give it a nostalgic sixties psychedelic feel. The song's composer, Graham Gouldman, is even drafted in to add rhythm guitar. Chappo also lends his larynx to the title track, one of the better songs although again the synth additions of Vetesse do tend to date the song. Opening track, Get It While You Can was touted by the record label as being a potential hit single (it wasn't) and I wonder if because of this it was foisted on the band as it is the only other track not composed by the group. Having said that, it is a strong opening number and Graham Parker adds an impressive lead vocal to give the song a more contemporary twist. And finally to the song Average. The most unusual of the songs on the album, and in the whole Box Of Frogs career, yet probably one of their most enjoyable. This is down to the performance of the undeniably brilliant Ian Dury, who I am sure must have written the lyrics to this number although they are not credited to him. The song is not only amusing lyrically it is also great musically. McCarty lays down the best drum rhythms of the album, Hackett plays a blinder and even Vetesse doesn't manage to mess it up with his synth noodlings.

More eclectic and more experimental, Strange Land is really too diverse and too far removed from Box Of Frogs to maintain any momentum gained from the initial success of the band. The lack of touring and the two-year gap between releases also must have had an impact on sales, with neither album nor single cracking the top 100 in either the US or the UK. However, as both McCarty and Dreja comment in the sleeve notes of the albums, the original intention was for some friends to get together and have some fun making music. Both attest that the two albums were a lot of fun to record which suggests the objective was achieved. Strange Land has its moments but is not as an accomplished an effort as the debut and is definitely of its time. MARK HUGHES

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JOE COCKER [1970] Mad Dogs & Englishmen (2CD 35th Anniversary Deluxe Edition)

In the pantheon of classic live albums as well as concert films, Joe Cocker's Mad Dogs & Englishmen is near the top, alongside Woodstock and The Last Waltz in defining the spirit of a generation. The tour, album and film catapulted Cocker, Leon Russell, and Rita Coolidge to stardom. Now, for the first time, the album, originally issued in 1970, is heard with previously unreleased tracks and studio cuts. The two-CD Mad Dogs & Englishmen: 35th Anniversary Deluxe Edition reveals in full for the first time the repertoire of the craziest, loudest, longest rock 'n' roll circus to have ever hit America. Along with already-legendary performances of "She Came In Thru The Bathroom Window," "The Letter," "Delta Lady," "Bird On A Wire," "Cry Me A River," "Feelin' Alright," "Let's Go Get Stoned," and "Space Captain" are seven previously unreleased live performances (whose inclusion now reflects the actual sequence of the show's set list) and four rare studio recordings.

Disc 1:
01. Honky Tonk Women
02. She Came In Thru The Bathroom Window
03. The Weight
04. Sticks And Stones
05. Bird On A Wire
06. Cry Me A River
07. Superstar
08. Feelin' Alright
09. Something
10. Darling Be Home Soon
11. Let It Be
12. Further On Up The Road

Disc 2:
01. Let's Go Get Stoned
02. Space Captain
03. Hummingbird
04. Dixie Lullaby
05. The Letter
06. Delta Lady
07. Give Peace A Chance
08. Blue Medley
09. With A Little Help From My Friends
10. Girl From The North Country
11. Warm-Up Jam Including Under My Thumb
12. The Letter
13. Space Captain
14. The Ballad Of Mad Dogs & Englishmen

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WHISKEY FOLK RAMBLERS

From Dallas, Texas the Whiskey Folk Ramblers create music of a new sound. It's some strange, unexplored sub-genre of indie-country. Part spaghetti-western, part eastern-european folk, melded with dancehall country and with undertones of american folk and bluegrass. The style could be called Western Gypsy or Gypsy Americana.

Picked apart, you can find influences from Bob Dylan and Johnny Cash to wandering bands of gypsies in the desert. The instrumentation gives one a sense of the Appalachians, but you'd be hard-pressed to call it bluegrass. Close your eyes and you'll imagine the dusty lone gunfighter pushing through a saloon door in a Sergio Leone film.

Whiskey Folk Ramblers have been compared to the likes of contemporaries Gogol Bordello, DeVotchKa, the Pogues, Old 97's & Tom Waits.

Like the soundtrack to a spaghetti western set in the Dust Bowl, Whiskey Folk Rambler's "folk noir" blends ominous, reverb-dripping guitars with boot-stomping train beats and funereal horns to create sonic backdrops for down-on-your-luck ballads and beer-soaked anthems.

Their music is the sound of a union meeting at its drunkest, of a last-resort robbery gone awry, of mice and men and the lengths they'll go to forget about their troubles. From catchy singalongs to moody shuffles, Whiskey Folk Rambler's sound takes American roots music down a road less traveled, where even the Devil might be waiting to raise a toast. ~ Steve Steward

The Ramblers sound like something you might have heard around the bonfire if a gypsy caravan and a cattle drive happened to cross trails and ended up sharing a barrel or two of whiskey. ~ Jesse Hughey, Dallas Observer

01. [2008] Midnight Drifter

01 - Intro
02 - Ramblin' Man
03 - River Song
04 - Graveyard Line
05 - Goin' Where I Don't Know
06 - Moanin' Rag
07 - I'll Be On My Way
08 - Great Grandson
09 - As We Drive By
10 - Die Easy
11 - Midnight Drifter
12 - Remington .45 Blues
13 - Outro

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02. [2010] ...and there are devils

01 - The Penitent
02 - Gambling Preacher And His Daughter
03 - Easy Climb
04 - Pies Of Old Kylene
05 - Into That Slide
06 - Horrors In The Kitchen
07 - Concrete Bed
08 - My Rolling Wino
09 - Elevator Music
10 - Curtains
11 - Sweet Waters
12 - Night Of The Indian Man Morning

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03. [2013] The Lonesome Underground

01 - Oh, St. Jude
02 - Long Way Back
03 - Lights On The Highway
04 - Drink The Bottle Dry
05 - Mad Man's Eyes
06 - If I Were Around
07 - Bad Rise
08 - Leavin' Here
09 - 2025
10 - Cross City Trade
11 - Can You Drive My Car
12 - Come Down Tonight
13 - Letters To Rosemary
14 - Old Lost Tears

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04. [2016] Just Like Heaven

01 - Just Like Heaven

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05. [2017] Goin' Back To Clarksdale (feat. Jenna Clark)

01 - Goin' Back To Clarksdale (feat. Jenna Clark)

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Fundraiser For Berni

Contributor to this blog Berni and husband Steve have, due to a house fire, lost all their possessions together with the tragic loss of 3 cats and 2 dogs, though they managed to save 4 dogs.

In their time of need, their nephew has set up a GoFundMe page for them, if you wish to make a donation to assist them to get back on their feet, you can do so HERE!

Monetary donations can also be sent Attention: Bernice & Steve Clark, Athol Hospital, 2033 Main Street, Athol, MA 01331

For the full story go HERE for the news article and video.

TWANGSVILLE REVISITED: Volume 109

01 - THE BIG SWAMP - If Boogie Is A Sin, You Gotta Sell Your Soul
02 - CHRIS STAPLETON - Parachute
03 - DAVID MASSEY - Blend Into Blue
04 - DENNIS DUNIVAN - 14 Hands
05 - DENNIS QUAID & THE SHARKS - Good Man, Bad Boy
06 - THE GOSPEL WHISKEY RUNNERS - Keep On Tryin'
07 - HACKENSAW BOYS - Going Home
08 - HIGHLAND TRAVELERS - I Guess I'll Go On Dreaming
09 - JD WILKES & THE DIRT DAUBERS - Hidey Hole
10 - JOHAN BERGGREN - I'm Not A Man Yet
11 - JOHN R. MILLER - Been Here Too Long
12 - LEGENDARY SHACK SHAKERS - You're Gonna Need Me
13 - MARNI SHEEHAN & MARK SMITH - Hume Highway
14 - RED BEARD - Nowhere Road
15 - ROY STEWART - Sorry For Your Momma
16 - SEAN K. PRESTON & THE LOADED PISTOLS - The Widower
17 - SIDELINE - Something Out Of Nothing
18 - STERLING WAITE & THE COTTON AVENUE HUSTLERS - I'm Goin' With Ya
19 - SWAMPMEAT FAMILY BAND - Needle & Thread
20 - TELLICO - West Of The Cumberlands

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THE PINE BOX BOYS

Lester T. Raww from Arkansas started The Pine Box Boys in San Francisco, CA during 2003, originally planning to perform new versions of old murder ballad classics like "The Knoxville Girl," and "Fair Eleanor". Soon, however, Raww transitioned the music to all original songs paying the same grim homage to themes of murder, misery, zombies and generally unapologetic acts of mayhem. This led to their first album, Arkansas Killing Time.

"In my mind, I wanted something that sounded like Willie Nelson in a punk band".

Lester blames the emphasis of murder, misery, and zombies on his mother:
"My mother grew up REAL country, and she raised me on all those old songs. Before bed, she would sing murder ballads to me such as "Pretty Polly," "Skin and Bones Lady," and "The Knoxville Girl." She also liked horror films".

Lester combined all of this into his unique brand of music: not exactly bluegrass — more like "bloodgrass".

Bassist Colonel Timothy Leather and drummer Steven "Your Uncle" Dodds joined him in those early days. Uncle Dodds suggested that they bring banjo-picker Alex "Possum" Carvidi into the group. These four became the core of the band and entered the exciting world of nomadic musicianship, traveling the States and parts of Europe.

Stab! was their second release. While Arkansas Killing Time included many slower songs, Stab! album was the result of playing faster songs for live performances and remains their best seller to date.

These first two albums, combined with their third release Child Of Calamity, tell the disjointed story of a killer named Willie and his many victims. The fourth album, Tales From The Emancipated Head, was released in 2011. It is a collection of 13 stories as told by a decapitated head as it rolls down a hill.

The Pine Box Boys’ latest album The Feast Of Three Arms was released in the Fall of 2016 and is a concept album. Through a combination of music and spoken narration, the album tells the story of Jubal, the Boy with No Last Name and his quest for vengeance on the man who wronged his mother Parmalene, the woman with three arms.

THE PINE BOX BOYS are:
Lester T. Raww: Vocals, Guitar
"Possum" Carvidi: Banjo, Vocals
Col. Timothy Leather: Upright Bass
Steven "Your Uncle" Dodds: Drums

After 125 songs penned in Raww’s blood and five albums later, the original members tour across the United States and Europe bringing their cantankerous horrorbilly/bloodgrass sound and malcontent melodies to worldwide fans eager for some dancing, drinking and stabbing.

01. [2005] Arkansas Killing Time

01 - Skin & Bones Lady
02 - 56, Ar
03 - Arkansas Killing Time
04 - The Hateful Thing
05 - Weary Friend
06 - I Kept Her Heart
07 - Just A Crush
08 - I Had To Cut Her
09 - Bucket Of Guts
10 - New Moon
11 - The Beauty In Her Face
12 - Your Shadow
13 - The Moon Moves The Waters
14 - Bakersfield

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02. [2006] Stab!

01 - Stab
02 - The Crow
03 - West Memphis Daddy
04 - The Tardy Hearse
05 - Will You Remember Me?
06 - I Got Excited
07 - Garden Of Stars
08 - The Wedding Gown
09 - More Pride Than Priors
10 - Prestor John In Appalachia
11 - Mr. Skeleton
12 - Rattling Chains
13 - Great Journey

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03. [2007] Hootin' & Hollerin' Volume 2 Live At Thee Parkside 20 July 2006

Recorded by Dr. Astronaut Body on July 20th, 2006 at Thee Parkside in San Francisco, California.

NOTE: this low-tech recording, of a particularly rowdy show at a high point in the band's evolution, is presented to you despite certain problems inherent in the two-track master (such as the fluctuating levels or your inability to hear the guitar very well during the second half of the show). The show is presented as-is, with no EQ or remastering, in the hope that your enjoyment is more "authentic". Caveat emptor.

01 - Arkansas Killing Time
02 - West Memphis Daddy
03 - The Crow
04 - The Tardy Hearse
05 - Just A Crush
06 - Mr. Skeleton
07 - Prester John In Appalachia
08 - I Got Excited
09 - Waltzing Through The Graveyard
10 - More Pride Than Priors
11 - Introducing Jason Kleinberg/Tuning A String
12 - Rattlin' Charms
13 - The Dirty Drinking Song
14 - I Kept Her Heart
15 - The Hateful Thing
16 - Stab!
17 - Great Journey
18 - Pretty Polly
19 - Once In A Lifetime

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04. [2008] Child Of Calamity

01 - The Child Of Calamity
02 - Pardon Me Ginger
03 - Pukin' Blood, Spittin' Teeth, Bein' High
04 - An Unkindness
05 - Hair Of Gold
06 - O, Mercy, O, Meredith
07 - The Undertaker's Prayer
08 - Don't Ask Me To Stop
09 - The Maiden's Eye
10 - Dark Of The Holler
11 - The Gravedigger
12 - A Ship Lost at Sea
13 - To The Blue
14 - The Pallbearers

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05. [2011] Tales From The Emancipated Head

01 - Introduction
02 - Theme From The Emancipated Head
03 - Pretty Little Girl
04 - Frankenstein
05 - I Was A Teenage Necro
06 - Waltzing Through The Graveyard
07 - Live Brains
08 - No Room Left For Barbara
09 - Massacre On Confusion Hill
10 - The Weeper
11 - The Doomer
12 - Blood
13 - A.M. Radio Floating In Blood
14 - The Funeral

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06. [2016] The Feast Of Three Arms

01 - Introduction: Feast Of Three Arms Toast
02 - Mama Had A Third Arm
03 - It's Comfy In My Coffin
04 - That Boy Is Trouble Pt II
05 - Parmalene With Arms Of Three
06 - Crow Feathers
07 - I Killed The Band
08 - Our Christian Duty
09 - Mighty Mighty Preacher
10 - Judge
11 - Rise
12 - Dog Named Death
13 - Meet My Wife
14 - Blameless
15 - Rushee Roolet
16 - River
17 - Bury Me

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LEGENDARY SHACK SHAKERS

Legendary Shack Shakers (originally Those or Th' ) are an American rockabilly-inspired blues-punk band that formed in Paducah, Kentucky, United States, in the mid-1990s. They are inspired by rock and roll, country blues, old time music, carnival music, swamp rock, and other obscure Southern music genres. The band originally had a traditional rockabilly sound, but later began to rely more on its rock and roll and "southern gothic" influences.

Founding member J.D. Wilkes is the band's vocalist and also plays the harmonica. Musical maverick Joe Buck joined the band in the early 21st Century and played all the upright bass, guitars, and drums on the group's first wide release, Cockadoodledon't (2003). Wilkes is noted for his theatric stage performances, which have been compared to those of Iggy Pop, David Byrne, and Jerry Lee Lewis. Joe Buck left the band in late 2003 and began touring and recording with Hank III. Brett Whitacre joined the band in 2005 and is currently the second longest tenured band member. Duane Denison of The Jesus Lizard and Tomahawk joined the band in 2008, exiting in early 2012. Atlanta garage blues guitarist Rod Hamdallah replaced Denison. Longtime bassist Mark Robertson left the band in late 2015 and was replaced by The Two Man Gentlemen Band's Fuller Condon. Longtime drummer Brett Whitacre left the band in late February 2016 to concentrate on his art career and family life, and was replaced by The Dirt Daubers drummer Preston Corn. Guitarist Rod Hamdallah left the band in late 2017, shortly after the release of After You've Gone. He was replaced by Pere Ubu guitarist Gary Siperko.

01. [1998] Hunkerdown With

01 - The Sherrif's Ranch For Boys
02 - Go Hog Wild
03 - Tickle Yore Innards
04 - She's Gone Haywire
05 - Hunkerdown
06 - Back To Paducah
07 - The Kentucky Song
08 - I S'Wanee
09 - Pitchin' A Fit
10 - Rattletrap
11 - The CB Song
12 - Love Bug Crawl
13 - That's What I Know
14 - Right Behind You, Baby

J.D. Wilkes: Vocals, Harmonica, Jew's Harp / Nathan Brown: Rhythm Guitar, Vocals / Brian Berryman: Guitar / Gabe Kudela: Acoustic Bass / Chris Detloff: Drums.

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02. [2003] Cockadoodledon't

01 - Pinetree Boogie
02 - CB Song
03 - Help Me From My Brain
04 - Shakerag Holler
05 - Hunkerdown
06 - Clodhopper
07 - Bullfrog Blues
08 - Blood On The Bluegrass
09 - Devil's Night Auction
10 - Wild Wild Lover
11 - Shake Your Hips
12 - Hoptown Jailbreak

J.D. Wilkes: Vocals, Banjo, Harmonica, Keyboards / Joe Buck: Guitar, Banjo, Mandolin, Key Accordion, Upright Bass, Drums.

Additional Personnel: Mark Robertson, Paul Simmons, Donnie Herron, Jason Brown, "Handsome" Andy Gibson.

320k
80.6 Mb
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03. [2004] Believe

01 - Agony Wagon
02 - Creek Cats
03 - Where's The Devil... When You Need Him?
04 - Piss And Vinegar
05 - County Of Graves
06 - All My Life To Kill
07 - Cussin' In Tongues
08 - Help Me
09 - Bible Cyst
10 - The Pony To Bet On
11 - Fistwhistle Boogie
12 - Misery Train

J.D. Wilkes: Vocals, Harmonica, Piano, Wurlitzer Piano, Toy Piano, Wind-up Monkey, See 'n Say / Mark Robertson: Guitar, Double Bass, Bass Guitar / Paulie Simmons: Drums / David Lee: Acoustic Guitar, Electric Guitar.

Additional Personnel: Jordan Richter, Nick Kane (Guitar), Fats Kaplan (Banjo, Fiddle, Accordion), Donnie Herron (Fiddle), Jim Hoke (Clarinet, Saxophone).

320k
83.7 Mb
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04. [2006] Pandelirium

01 - Ichabod!
02 - South Electric Eyes
03 - No Such Thing
04 - Iron Lung Oompah
05 - Bottom Road
06 - Somethin' In The Water
07 - Jipsy Valentine
08 - Thin The Herd
09 - Monkey On The Doghouse
10 - The Ballad Of Speedy Atkins
11 - Bible, Candle And Skull
12 - Nellie Bell

J. D. Wilkes: Vocals, Harmonica, Accordion, Piano, Toy Piano, Organ, Glockenspiel, Jaw Harp / Mark Robertson: Upright Bass, Guitar, Electric Bass, Vocals, Typewriter / David Lee: Guitar, Vocals.

Additional Personnel: Jerry Roe - Drums, Percussion / Paulie Simmonz - Drums / Cobra Joe - Percussion / Steve Latanation - Vocals, Percussion / Jim Heath - Guitar / Jello Biafra - Backup Vocals / Jack Irwin - Piano / Fats Kaplan - Fiddle, Banjo / Jim Hoke - Baritone Sax, Bass Clarinet / Bill Huber - Tuba, Trombone.

320k
79.2 Mb
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05. [2007] Lower Broad Lo-Fi

"Terrible to witness, uncontrolled power that will make you scream." - PUNK PLANET

Downtown Nashville, just off the dirty Cumberland River, is a wayward home for junkies, poets, homeless buskers, and starving musicians. In the watering holes that line the neon-studded Broadway Street, music is played twenty-four hours a day by the hardest, tightest, hungriest gentlemen. Each a master at his trade, they fight and wrestle with the sounds of a ever-changing world, hoping to someday master the blues and perform honky tonk ballads like the gone-but-not-forgotten country angels of old. For years there was one band that shone brighter than the rest: Th' Shack Shakers. As time has passed, the lineup has changed and the band's fan base has grown worldwide, but the quartet captured here was the best, sharpest group of villains to ever play under the name. This is a recording dating back to the year 2000, when they were unknown and fighting to live.

01 - 21 Days
02 - Don't Start Cry'n
03 - Dump Road Yodel
04 - Hip Shake
05 - Bullfrog Blues
06 - Yer Gonna Need Me
07 - Wild Wild Lover
08 - Doin' My Time
09 - Rollin' In My Sweet Baby's Arms
10 - Ghost Riders In The Sky
11 - Devil's Night Auction
12 - I Ain't Home

J. D. Wilkes: Vocals, Harmonica / Joe Buck: Acoustic Bass / Chris Scruggs: Guitar / Chris Detloff: Drums.

320k
84.1 Mb
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06. [2007] Swampblood

01 - Dawn
02 - Old Spur Line
03 - Hellwater
04 - Easter Flesh
05 - Swampblood
06 - Dusk
07 - Cheat The Hangman
08 - Born Again Again
09 - The Deadenin'
10 - Down And Out
11 - Jimblyleg Man
12 - He Ain't Right
13 - Angel Lust
14 - Preachin' At Traffic
15 - When I Die
16 - Bright Sunny South

J. D. Wilkes: Vocals, Mouth Harps, Piano, Organs, Tape Effects / Mark Robertson: Upright Bass, Bass Guitar, Baritone Guitars, Backing Vocals / David Lee: Guitar / Brett Whitacre: Drums.

Guests: Rich Gilbert – Saw on "The Deadening" / Paulie Simmons – drums on "Born Again Again" / Steve Latanation – Shaker, Backing Vocals / Ward Stout – Fiddle / Fats Kaplan – Mandolin on "Born Again Again" / Kristi Rose – Backing Vocals on "Born Again Again" / Jack Irwin – Piano and Organ on "Born Again Again".

320k
77.7 Mb
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07. [2010] Agri·Dustrial

01 - Melungeon Melody
02 - Sin Eater
03 - Sugar Baby
04 - God Fearing People
05 - Dixie Iron Fist
06 - Two Tickets To Hell
07 - Nightride
08 - Greasy Creek
09 - Hammer And Tongs
10 - The Hog-Eyed Man
11 - Dump Road Yodel
12 - Hoboes Are My Heroes
13 - Everything I Ever Wanted To Do
14 - The Hills Of Hell
15 - The Lost Cause
16 - Killswitch

J. D. Wilkes: Vocals, Harmonica, Banjo, Piano, Organ, Jew's Harp / Mark Robertson: Double Bass (Slap And Bowed Upright), Electric Bass, Guitar, Backing Vocals / Duane Denison: Guitar, Guitar (Prepared) / Brett Whitacre: Drums, Percussion / Steve Latanation: Percussion, Backing Vocals / Layne Hendrickson: Percussion (Blacksmith Percussion).

320k
91.7 Mb
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08. [2011] Daytrotter Studio (Rock Island, IL) December 30

01 - Welcome To Daytrotter

02 - Dump Road Yodel

03 - Sugar Baby

04 - Sin Eater

05 - Nightride

Thanks go to Berni for this.

 

192k

14.9 Mb
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09. [2015] The Southern Surreal

01 - Cow Tools
02 - Mud
03 - MisAmerica
04 - The Grinning Man
05 - Cold
06 - Dead Bury The Dead
07 - The One That Got Away
08 - Young Heart, Old Soul
09 - Fool's Tooth
10 - The Dog Was Dead (feat. Billy Bob Thornton)
11 - Down To The Bone
12 - Christ Alrighty
13 - Demon Rum
14 - The Buzzard And The Bell
15 - Born Under A Bad Sign

J. D. Wilkes: Vocals, French Horn, Banjo, Symsonium / Mark Robertson: Electric Bass, Doghouse Bass, Backing Vocals, Guitar, Percussion / Rod Hamdallah: Electric Guitar, Acoustic Guitar, Backing Vocals, Harmonium, Percussion / Brett Whitacre: Drums, Percussion.

Featuring: Steve Latanation: Percussion, Backing Vocals / Micah Hulscher: Piano (Barrelhouse Piano), Electric Piano (Wurlitzer), Organ / Ralph Carney: Saxophone, Horns / Fats Kaplin: Violin / Lucy Cochran: Fiddle, Backing Vocals on "The One That Got Away".

320k
83.7 Mb
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10. [2015] Daytrotter Studios (Davenport, IA) December 7

01 - Christ Alrighty
02 - Cow Tools/Mud
03 - Let The Dead Bury The Dead
04 - Down To The Bone

Thanks go to Berni for this.

320k
30.2 Mb
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11. [2017] After You've Gone

01 - Curse Of The Cajun Queen
02 - War Whoop (Chief Paduke's Revenge)
03 - After You've Gone
04 - Single Boy
05 - (Sing A) Worried Song
06 - Long Legs
07 - Garden Of Delights
08 - Frankenstein's Mother
09 - Branding Iron
10 - Get Outta My Brain
11 - Silent Key
12 - White Devil (The Curse That Worked)
13 - Invisible Hand

J. D. Wilkes: Lead Vocals, Harmonica, Piano (Tom Thumb) / Rod Hamdallah: Harmony Vocals, Electric Guitar, Baritone Guitar / Fuller Condon: Backing Vocals, Electric Upright Bass / Preston Corn: Drums, Percussion.

Featuring: Chloe Feoranzo: Saxophone, Clarinet / Shane Pringle: Saxophone / Liz Brasher: Backing Vocals.

320k

84.1 Mb

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Dear Johnny: A Tribute To Cash (2004)

19 Americana, Alt. Country, Psychobilly, Industrial, and Punk bands cover material written or recorded by Johnny Cash during his career. Notably more cutting edge than the other Cash tribute records out there.

01 - Dale Watson - Guess Things Happen That Way
02 - Scotch Greens - There You Go
03 - Supersuckers - Mean-Eyed Cat
04 - Stevie Tombstone - Folsom Prison Blues
05 - Deadbolt - Orange Blossom Special
06 - Beverly Killbillies - Wanted Man
07 - The Kings Of Nuthin' - Cry, Cry, Cry
08 - Flametrick Subs - Dirty Old Egg-Suckin' Dog
09 - Bastard Sons Of Johnny Cash - Long Black Veil
10 - Jesse Dayton - Doin' My Time
11 - Concombre Zombi - Flesh & Blood
12 - 12 Step Rebels - Delia's Gone
13 - Satan's Teardrops - I Got Stripes
14 - Los Creepers - Wreck Of The Old '97
15 - Eddie Spaghetti - Peace In The Valley
16 - Todd Stedman - Hey Porter
17 - Speedbuggy USA - Drive On
18 - Hot Rod Lincoln - I Walk The Line
19 - South Austin Allstars - The Man In Black

320k
126.89 Mb
DIRECT DOWNLOAD LINK
FLAC
360.74 Mb
DIRECT DOWNLOAD LINK

RON WOOD & RONNIE LANE [1976] Mahoney's Last Stand OST (1998 CD Reissue)

Mahoney's Last Stand is an album by Faces bandmates Ronnie Wood and Ronnie Lane, recorded in 1972 (with sessions overlapping with the early rehearsals for the Faces' final studio album Ooh La La). It is the music soundtrack album of the low-budget 1972 Canadian film Mahoney's Last Stand (original US title: Mahoney's Estate) starring Alexis Kanner (who also produced the film), Sam Waterston and Maud Adams. The film itself, little seen at the time of its release and even less so since, charts the progress of city-dweller Mahoney (Kanner) who abandons his urban existence to become a homesteader, and the drama that ensues. Pete Townshend, who guests on guitar on some tracks on the album, also receives a credit in the film for providing 'special electronic effects', alongside Wood and Lane's musical score.

For various reasons the film's release was delayed until 1976, and consequently the soundtrack album suffered the same fate (and to further confuse matters the film has since also been re-released under the title Downtown Farmer). However, due to the relative fame of Wood (and to a lesser extent, Lane), the soundtrack album has remained far more readily-available than the film itself.

Ronnie Lane was initially approached to produce a soundtrack for the film through his acquaintance with lead actor and producer Alexis Kanner, and Lane, at a loose end between Faces recording commitments, soon involved his bandmate Ronnie Wood. Lane and Wood were already an established songwriting team within the Faces (and would soon go on to write one of the group's best-remembered numbers, Ooh La La, together), although by 1972 their partnership had begun to take a back seat to Wood's more commercially-driven writing alliance with Rod Stewart. The Mahoney soundtrack album is a mostly laid-back affair, strongly influenced by folk and country styles in line with the bulk of Ronnie Lane's later solo work, and in keeping with the themes of the film itself. Half of the tracks are instrumentals but one of the others, 'Mona' The Blues, is a re-arrangement of an instrumental Faces outtake from 1970 with a new lead vocal by Wood. Another vocal number, Just For A Moment, is one of Lane's most tender ballads, recently rehearsed with the Faces but set aside for this project.

For such a seemingly small-scale project the album attracted an all-star guest cast of 1970s musicians (see here), and fellow Faces Ian McLagan and Kenney Jones also guest on Tonight's Number, one of the more uptempo rock-oriented tracks. In some ways the album offered a tantalising glimpse of the musical direction the originally intended Faces lineup might have taken under Lane and Wood's leadership without Rod Stewart in the group, while also demonstrating how crucial Stewart was to their commercial - if not necessarily artistic - success (Stewart was the last member to join the band in mid-1969 despite the misgivings of Lane and Ian McLagan, who were still smarting after being summarily abandoned by their previous lead singer Steve Marriott only a few months earlier, in their previous formation as Small Faces).

Although it was recorded in 1972 the album remained unfinished and unreleased until 1976, by which time the Faces were defunct, Lane had established a modest but creatively fulfilling solo career, and Wood had joined the Rolling Stones. The album was released to little fanfare and the lack of information on the original release initially led fans (and reviewers) to believe the work was a reunion for the two bandmates rather than an extracurricular project recorded while Lane was still an active member of the Faces (he left the group in 1973 and they dissolved in 1975). This false assumption remained uncorrected until the album was reissued on CD in 1998 with new, more detailed recording notes (although even today some reviewers seemingly still remain ignorant of the facts).

01 - Car Radio
02 - Tonight's Number
03 - From The Late To The Early
04 - Chicken Wire
05 - Chicken Wired
06 - I'll Fly Away
07 - Title One
08 - Just For A Moment (Instrumental)
09 - 'Mona' The Blues
10 - Hay Tumble
11 - Woody's Thing
12 - Rooster Funeral
13 - Just For A Moment

Bonus CD Tracks:

14 - Insurance
15 - Safety Pin Queen
16 - Anymore For Anymore
17 - C&W Number
18 - My Fault

320k
128.8 Mb
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BASTARD SONS OF JOHNNY CASH

Described by Rolling Stone as "pure Americana heart and soul" the Bastard Sons Of Johnny Cash are the voice and vision of songwriter Mark Stuart. Since forming the band in 1995, he's performed with most every major artist in the Country and Americana music community. Stuart was personally given permission to use the band's name by Johnny Cash himself.

He was also honored by the Man in Black with an invitation to record songs at Cash's own home in Hendersonville, Tennessee. Two other iconic music legends, Willie Nelson and Merle Haggard, were also early believers who were instrumental in helping Stuart get his start.

With the release of their critically acclaimed debut CD "Walk Alone" in 2000, the Bastard Sons quickly proved they were no novelty act. With strong songwriting and great musicianship, the Sons' quickly jumped to the forefront of the growing Alternative Country Scene. No stranger to the road, their constant touring and hard work have built the band a loyal grass roots following both in the States and abroad.

Whether performing in front of thousands at a Festival in the US or Europe, or playing all night in a Texas dance hall, for Stuart it’s all about respect. "The Bastard Sons never were, and never will be, a Johnny Cash tribute band." It's always been about honoring the musical ideals of our heroes, and paying respect to the originality, integrity, and independence that made those artists who they are. Our goal was always to find our own road, and to continue to keep the sounds and traditions of American Roots Music alive.

Stuart and the Bastard Sons have released 5 outstanding CDs: Walk Alone, Distance Between, Mile Markers, Bend In The Road, and their latest New Old Story. Their music has been featured in Film, Television, and compilation CDs around the world.

1. [2001] Walk Alone

Originally released in 2000, reissued with 2 bonus tracks in 2001.

01 - Texas Sun
02 - Blade
03 - Seven Steps
04 - Interstate Cannonball
05 - Walk Alone
06 - Truckstop In La Grange
07 - 440 Horses
08 - Lonesome Sky
09 - Trains Gonna Roll
10 - Memphis Woman
11 - Silver Wings
12 - Crying Over You
13 - Nowhere Town (Bonus Track)
14 - Spanish Eyes (Bonus Track)

320k
113.42 Mb
DIRECT DOWNLOAD LINK

2. [2002] Distance Between

01 - 1970 Monte Carlo
02 - Hard Times
03 - Distance Between
04 - Long Black Veil
05 - Burn Down
06 - Tears Of Gold
07 - Wind It Up
08 - Marfa Lights
09 - Damage Is Done
10 - Where I Found You
11 - Last Goodbye
12 - Beautiful Cage

320k
91.67 Mb
DIRECT DOWNLOAD LINK

3. [2004] Live At The Belly Up

Recorded Live at the Belly Up Tavern in Solana Beach, CA on December 23rd, 2003.

01 - Texas Sun
02 - Stop The World (And Let Me Off)
03 - Distance Between
04 - Marfa Lights
05 - Burn Down
06 - Wind It Up
07 - Long Black Veil
08 - Folsom Prison Blues
09 - 440 Horses
10 - Nowhere Town
11 - Midnight, Lonesome And Blue
12 - Blade
13 - Viva Las Vegas

320k
116.37 Mb
DIRECT DOWNLOAD LINK

4. [2005] Mile Markers

01 - Austin Night
02 - The Road To Bakersfield
03 - California Sky
04 - Borderline Of The Heart
05 - King Of The World
06 - Radio Girl
07 - Night Comes Down
08 - No Easy Road
09 - Lonely Tonight
10 - Under Your Spell
11 - Restless Heart
12 - The Pride Of Abeline

320k
94.19 Mb
DIRECT DOWNLOAD LINK

5. [2007] Road To Texacali

Compilation of Walk Alone, Distance Between and Mile Markers.

01 - Texas Sun
02 - Blade
03 - The Road To Bakersfield
04 - 440 Horses
05 - Long Black Veil
06 - 1970 Monte Carlo
07 - Interstate Cannonball
08 - California Sky
09 - Borderline Of The Heart
10 - Memphis Woman
11 - Hard Times
12 - King Of The World
13 - No Easy Road
14 - Lonely Tonight
15 - Damage Is Done
16 - Burn Down
17 - Austin Night
18 - Crying Over You
19 - Distance Between
20 - Radio Girl
21 - Viva Las Vegas

VBR
106.23 Mb
DIRECT DOWNLOAD LINK

6. [2009] Bend In The Road

01 - I'm Just An Old Chunk Of Coal
02 - Restless Ramblin' Man
03 - When Love Comes A Callin'
04 - Power Of A Woman
05 - Lonestar Lovestruck Blues
06 - Gone Like A Raven
07 - Seven Miles To Memphis
08 - Best Thing
09 - Fireflies
10 - Everything's Goin' My Way
11 - Way Down The Road
12 - Carolina

320k
94.80 Mb
DIRECT DOWNLOAD LINK

7. [2013] New Old Story

01 - Highway Bound
02 - Well Worn Heart
03 - No Honky-Tonks
04 - Poor Man's Son
05 - Ain't No Tellin'
06 - Leave A Light On
07 - Into The Blue
08 - El Troubadour
09 - New Old Story
10 - Bounds Of Your Heart

320k
85.07 Mb
DIRECT DOWNLOAD LINK

TWANGSVILLE REVISITED: Volume 108

01 - DERYL DODD - That's The Stuff
02 - THE DIRTY 30s - Swampeast
03 - FLOOD COUNTY - The Road
04 - GERRY BECKLEY - Tokyo
05 - GINA SICILIA - Man In The Sky
06 - GRETTA ZILLER - Rust & Bones
07 - JANIVA MAGNESS - On And On
08 - JESSE DAYTON - Daddy Was A Badass
09 - JOHNNY APPLESEED - We're On The Way
10 - LOS DIABLOS - Somewhere In Between
11 - RADNEY FOSTER & PAT GREEN - Texas In 1880
12 - RED WANTING BLUE - High And Dry
13 - REVEREND HORTON HEAT - Get Rhythm
14 - ROD MELANCON - Promises
15 - RUSTY YOUNG - Gonna Let The Rain
16 - SOUTHLIGHT - Good Ol' Days
17 - TOMMY BROWN AND THE COUNTY LINE GRASS - A Dark Road Is A Hard Road To Travel
18 - THE VEGABONDS - Partyin' With Strangers
19 - THE WHISKEY GENTRY - Eula Mae
20 - WILLIAMS & COMPANY - Leavin' Ain't Losin'

VBR
103.5 Mb
NEW DOWNLOAD LINK